A Man Named W is a contemporary dance theatre piece exploring loss, loneliness, and quiet resilience. Through a solo physical performance, it traces one man’s journey after the death of his wife, as small moments of human connection begin to bring him back to life.

About the Performance

At the center of the work is Mr. W, a 65-year-old man whose life once followed a steady, predictable rhythm—work, routine, and the quiet companionship of his wife. When she passes away, that structure collapses, leaving him suspended in an emotional void.

The performance follows his slow, internal journey through grief. Familiar routines become hollow, everyday spaces turn into reminders of absence, and life feels mechanical and heavy. Over time, however, small encounters and subtle acts of kindness begin to seep into his isolated world. These moments gradually rekindle his connection to life, as he learns to move forward within a fractured existence.

Presented as a physical theatre solo, the piece relies entirely on body language, movement, and stage presence to convey emotional depth. Through pauses, breath, and shifting physical states, the performance unfolds an intimate portrait of loss and recovery.

Cast & Creatives

Wang Tao – Director / Contemporary Dancer

Former rehearsal director of Shanghai Jin Xing Dance Theatre and former executive artistic director of Sichuan Contemporary Dance Theatre. His work focuses on inner expression and physical texture, often drawing from lived experiences. His works have been presented at international festivals including Seoul International Choreography Festival and the Royal Conservatoire of Scotland.

Li Haoyue – Director / Choreographer / Performer

A contemporary dance and physical theatre artist, formerly a solo dancer with Shanghai Jin Xing Dance Theatre. Her work emphasizes emotional exploration through body language, often blending multiple artistic mediums.

Chen Yudi – Director / Playwright / Performer

A theatre and dance performer with extensive experience in physical theatre. Former solo dancer with Shanghai Jin Xing Dance Theatre, she has created and performed in multiple original works and participated in international productions.

Why Go

This is a stripped-back, intimate piece that focuses entirely on the human condition—specifically how people process loss and continue living. With no elaborate staging or dialogue, it relies on physical expression to tell a story many can relate to. For audiences interested in contemporary dance or physical theatre, it offers a quiet but emotionally resonant experience, especially for those drawn to reflective, character-driven performances.