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Last updated: 2015-11-09

Interview: Li Yangyang, NOJIJI

Take a quick trip through the wormhole mindset of China's nomadic noise guru, Li Yangyang, leader of the Raying Psychedelic Coalition...

Editor's note: Still reeling from Acid Mothers Temple's JUE show being cancelled. Was genuinely looking forward to that one. Once the authorities axed the gig, JUE promptly got up with Zoomin' Night booker and mastermind of Douban Music's "Behind the Billboard" series, Zhu Wenbo, to book a standalone gig for the two local bands who would have opened. One is the Raying Psychedelic Coalition, a virtually structureless, ever-shifting "orchestra" led by Li Yangyang. Yangyang and his cohort used to run a series of DIY venues — Raying Temple — out in the wilds of Tongzhou. Though all were eventually demolished (the penultimate incarnation, which was inside a barn, burned down), Raying Temple persisted as a physical meeting space for a variety of nomadic noise weirdos for years before finally closing for good in 2012. During that time, the fluctuating collective combined in a handful of bands and loose ensembles, invariably documenting their sound rituals via their independent NOJIJI label. Zhu Wenbo briefly got inside the mind of the inscrutable Zen-noise longhair (Chinese version here). This is what he found:
SmartBeijing: First of all, introduce us to the Raying Psychedelic Coalition. How was it started? What are its musical influences? Have you played a lot of shows?
Yangyang

: Initially the important thing was Raying Temple, the venue. It attracted musicians from all over the country. Everyone had their own preferences in music. In order to make it easier for us all to play together, to make communication easier, we came up with the name "Raying Psychedelic" to unify everyone. The lineup of the band has never been fixed. The structure is pretty free, our activities are pretty slow.

SmBJ: Can you give a broader introduction to some of your other projects? The label NOJIJI, Raying Temple, your other band/collective ONG… How does the Raying Psychedelic Coalition tie in with these? There's a lot of overlap between the musicians involved in each project…
YY

: The easy way to explain it: NOJIJI is an independent record label, with an emphasis on producing physical albums and other objects. Raying Temple was a code name for a club. It gradually turned into a call to gather, a bridge connecting the real world with other worlds. ONG and Raying Psychedelic Coalition are both bands. In the early days, there were so many musicians gathering at Raying Temple that eventually the chaos settled into these different projects. ONG is more about preserving the original, primitive state. It has sound, but also dance, and other ceremonial features. Raying Psychedelic Coalition, on the other hand, is primarily concerned with constructing a psychedelic world. ONG in Qingdao, 2010

SmBJ: I don't really know how to describe Raying Psychedelic Coalition… I don't think it's really a band, also not an "organization" or ensemble… Do you have a better way to describe it?
YY

: Raying Psychedelic is a part of life in Raying Temple, an orchestra seeking the cosmic psychedelic soul. Everyone involved looks for the sound of the abyss, is trying to connect with an alternate universe or dimension. It's about creating a parallel reality according to our own order of existence, breathing in a different room. Raying Psychedelic Coailition is also known as the Raying Psychedelic Community.

SmBJ: Who's playing in Raying Psychedelic Coalition tonight? Have you even decided yet? I know that it changes every time you play…
YY

: The lineup for this show will include members of private firms, bartenders, idle wayfarers, internet merchants, bewildered youth, etc. The specific lineup is only known at the moment of the show. Raying Psychedelic doesn't need to be fixed. Our communication through music is based on the mutual cognition of our inner worlds.

SmBJ: It seems that after the last physical incarnation of Raying Temple in Tongzhou was destroyed in 2012, a lot of the NOJIJI crew has left Beijing. Where are they now? What are they doing? Are there still many NOJIJI events?
YY

: Raying Temple was born in Beijing. It went through countless periods of nutritional feeding and growth. Now those members don't adhere to one place. They're like seeds, freely scattered in the wind, blooming in all parts of the country, searching for truth. Currently, the crew doing Raying Temple events is spread among Tongzhou, Changchun, Shandong, and other places. It's like a battle fought by bacteria, small but everywhere. In this lovely era of intense chaos and conflict, you need to breed more bacteria of profound meaning.

SmBJ: What are the similarities between you all? What's unique about Raying Psychedelic Coalition compared to the other facets of the collective?
YY

: There's not a distinction in essence between all these projects. It's the shadow cast by life.

SmBJ: After the fourth and final Raying Temple was torn down, you created the concept of a "Floating" Raying Temple, packing all of your gear into a van and traveling all over the country, performing as you went. Where all did you go?
YY

: After they tore down the venue, it felt like a liberation of our souls. It also seemed like we lost a part of our lives. It plunged us back into the initial stages of being rootless sound nomads. The first time the Floating Raying Temple left Beijing we headed West, along the Yellow River and among the Yin mountains. We crossed the Ordos desert, eventually arriving in the Helan mountains. Then we went South, went through Lanzhou, penetrated the Gannan Tibetan Autonomous Prefecture, ending in Zoigê County in Sichuan. Then we struck east along the Bailong river, passed through the vast expanses of Tibetan mountains and grasslands. From Têwo County we left the mountains and headed to Chencang, arriving in Tianshui, then back to the central plains. We spent time at lakes, mountain ranges, forests, office buildings, bookstores, music festivals, etc. At all of these places we did experimental jams and played shows.

SmBJ: I heard that you played at a lot of strange places on that tour. Can you share some of the more interesting experiences?
YY

: Vibration is our work. When you spend time building on sound vibrations that could be considered to belong to other people or places, they will also respond back to you. One time, in the mountains in Tibet, I was making a series of sound projects. I inadvertently discovered a bird in the forest making sounds on the same frequency, having a dialogue, moving together. It was really mystical. In general, after driving through deserts, plains, valleys, and alongside rivers, my knowledge of China's geography became more three-dimensional. Afterwards I felt that China is actually very small… whichever mountain obstructing whichever stream. Wherever the wind blows, it gives birth to barren deserts, to oasis. It creates every kind of land form. Floating Raying Temple at Wutai Mountain (photo by Meizhiyong)

SmBJ: Before moving to Beijing, many of you were in Qingdao for several years. You did a music festival nearby, on Jinsha beach. Last year some members of the same crew did a beachside festival called Utopia Action. How did that go?
YY

: Because we all love music, we organize a few events meant to escape the normal way of doing live music shows. Last year's performance collected all kinds of people, it was successful. The performances lasted until the maritime dawn of the second day. Very late at night, the waves on the sea and the slow-moving music on the stage accompanied the lovely audience. It was certainly very romantic. Raying Psychedelic Coalition at the Utopia Action festival, 2013

SmBJ: NOJIJI is turning ten years old in 2014. In that time, how has your life changed? Your method of making music? Your understanding of music? What are your plans for the future?
YY

: We unconsciously reached ten years. From the beginning until now, NOJII has always been there, never wavered. Starting from the structure and tools of Western music, we've gradually returned to a more natural awareness, our own way, looking inward. Before we were looking for and trying to display new sounds; now we've returned to seeking the depth and sustainability of every kind of sound. NOJIJI is a ritual practice. We'll release a NOJIJI 10th anniversary box set and a DVD. Hopefully you'll see that soon.

SmBJ: You were supposed to open for Acid Mothers Temple last week, but unfortunately that show died prematurely. But the last three times that AMT founder Makoto Kawabata came to China, you shared the stage with him. Do you have any special memories of playing with him?
YY

: I remember my first time performing with him very deeply. It was like a lesson for young acolytes coming from deep within an abyss. It must have been at [now defunct experimental music series] Waterland Kwanyin in 2006. It was like a flash of sudden enlightenment. Kawabata Makoto and Yangyang at Psychic Kong studio (photo by Lulu Chow)

SmBJ: After Kawabata played in Beijing last year, you, Li Jianhong, and a few other people collaborated on a recording at Yang Haisong's Psychic Kong studio. How did that turn out? Will you release it?
YY

: That's right. At the time we collaborated on a recording, I think it was about six people playing together. The recording is already in the later stages of editing. It will be released on vinyl by Genjing Records in the not-too-distant future.

SmBJ: Last question: What do you consider yourself? A nihilist? An old-school noise guy? A DIY expert by necessity? Or something else?
YY

: I've already tried to define myself… I realized that I actually don't exist. Let's look for ourselves together. *** Catch the Raying Psychedelic Coalition after an opening set from Vagus Nerve tonight at XP. Top and cover image by Nevin Domer.

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